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May 6, 2010
dailytelegraph.com

      

Peter Hellier's guide to how to write a movie
COMEDIAN Peter Helliar - best known for Rove - started writing a film eight years ago. Today, I Love You Too is out. Here are his tips on how to do it too. Watch lot's of movies.


March 11, 2010
pasadenaweekly.com
By Carl Kozlowski

      

Telling tales
‘Over-performer’ Stephen J. Cannell takes over mystery book writing much the way he conquered episodic TV.


November 24, 2009
moviebytes.com

      

MovieBytes Interview:
Screenwriter Wyatt Wakeman

An interview with screenwriter Wyatt Wakeman regarding the Big Break Writing Competition.


November 11, 2009
ScreenwritersRadio.com
Monica McKinney, Host

      

The Screenwriters Radio Show
An excerpt from an interview with Final Draft, Inc. Director of Corportate Marketing, Alejandro Seri. Original full-length interview was featured on The Screenwriters Radio Show.


August 17, 2009
moviemaker.com

by Kyle Rupprecht

      

Final Draft's ScriptXpert Leads Writer to Success
Burgeoning screenwriters, take note: Utilizing Final Draft could land you a movie deal. Final Draft, Inc., publisher of Final Draft scriptwriting software, congratulates its ScriptXpert client, Jeff York, for his recent success.


July 21, 2009
greencine.com

by Craig Philips

      

SUMMER READING: Screenwriting in the International Marketplace
Ray Morton's article in the new issue of Script magazine (an article I believe is only available in print), called "Going Global: Screenwriting in the International Marketplace," features an interesting section...


May 21, 2009
The Baltimore Sun

By Michael Sragow

      

Clues to Christian Bale's on-set meltdown can be found in 'Terminator Salvation'
In a recent issue of Script magazine, writer John Brancato says, "John Connor is a much less human, warm, fuzzy character than the machine in the story."


December, 2008
eHow.com

by Henry

      

How to Write a Screenplay
Richard Price, the writer of “Sea of Love,” the book and screenplay for “Freedomland” and others, said that a screenplay should have “a lot of white on the page.” It’s nothing like writing a short story or novel: it’s a whole different animal.
...Get a screenwriting software program like Final Draft.


November 25, 2008
MSNBC.com
by Alonso Duralde

      

Safe as ‘Milk,’ and just as bland
Fiery life of gay politician boiled down to a well-acted but routine biopic

...although he’s outdone by screenwriter Dustin Lance Black, who apparently clicked the “Biopic” button in his Final Draft software and then just filled in the names.


August, 2008
Writers Digest

by Christina Hamlett

      

Script Rules
Correctly formatting your script can be the difference between getting it read and getting it pitched. Here's the lowdown on using good form. The correct font for screenplaysis courier Final Draft or courier new 12 pt.


July 3, 2008
Backstage.com
by Wayne Melton

      

Scripting the Dream
How screenwriters use pitchfests to sell their ideas -- in mere minutes

Each festival has its own modus operandi. The American Film Institute hosts two pitch events, although, unlike most, they are not open to everyone. Many events are put on by companies that cater to screenwriters. Final Draft offers Take a Meeting, held in Los Angeles and New York, as part of its Scriptwriters Showcase.


May 12, 2008
Los Angeles Times
by Jay A. Fernandez, Special to The Times

      

Charter school students' final project: Write a screenplay Some seniors at Camino Nuevo's high school are screenwriters in training.
A grant proposal Cook sent to Final Draft early on resulted in hundreds of donated units of its popular screenwriting software, which were uploaded onto laptops issued by the school. Ever since, the kids have been tapping away at their stories...


May 1, 2008
Los Angeles Times
by Kenneth Turan

      

MOVIE REVIEW: 'Iron Man'
It has primo parts, but they don't all come together.

As an article in Script magazine details, they happily toiled without meeting on separate-but-equal versions of the script...


April 14, 2008
Daily News
by Gregory J. Wilcox
 

Just Add Words
SCRIPTED: Oscar-winning screenwriter Diablo Cody among fans of Calabasas firm's creative software

CALABASAS - At Final Draft Inc., the company motto is "Just add words." Diablo Cody did - going on to win an Oscar for Best Original Screenplay for the movie "Juno."


November 1, 2007
Variety.com
by Anne Thompson
  Screenwriters follow different paths
Harwood, Cody both left-field contenders

Ronald Harwood and Diablo Cody couldn't be more different. But in the craziness of awards season, the two screenwriters could well be on parallel tracks. While he's a master of adaptation, she's a total original.


March 16, 2008
AnimationMagazine.com
Posted by Ryan Ball
  Toon Boom Draws Up Storyboard 1.5
Toon Boom Animation Inc. has released new versions of Storyboard and Storyboard Pro. ...the Pro version boasts additional new features, including support of Final Draft,...


February 8, 2008
AwardsDaily.com
Posted by Ryan Adams
  The January/February issue of Script magazine features their annual appraisal of awards-worthy screenplay contenders. The effort was in print before either WGA or Oscar nominations were announced...


November 4, 2007
The New York Times
By Bruce Weber

      

Prodigal Returns, Bearing Dialogue
... This was in 2004, around Christmastime. Mr. Sorkin was visiting New York, and possibly inspired by that, he was thinking he wanted to write a play...


November 2, 2007
Los Angeles Times
By Kenneth Turan

      

'American Gangster' has it -- just look at the title -- and pulls it off with verve.
... once you see this finely made and richly satisfying film, you understand it's the only title possible.


October 18, 2007
Los Angeles Times
By Rob Long

      

To noodle or not to noodle
Striking writers can't write.
Isn't that business as usual?

When I think of writing, that's pretty much what comes to mind: sitting around, drinking a pumpkin latte and checking my e-mail every seven seconds. And my question is, if there's a strike, am I still allowed to do that?


February 6, 2007
Los Angeles Times
By Joel Stein

      

The Myth of the Idiot TV Exec
Writers love to think that it's the suits who ruin television, even if it isn't true.

I had always read that it was because clueless studio executives take good scripts and screw them up.But it turns out that’s not why television shows are almost always awful.

   
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